21st Century Curriculum | October 2013 Digital Edition
For These Schools, Adding Arts to STEM Boosts Curriculum
Adding the arts to a STEM curriculum engages students who might otherwise have been left behind
A STEAM project at Taylor Elementary was painting the life cycle of flowers in the style of Georgia O'Keefe.
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Say you're the principal of a school that has been hit by an F5 tornado. No one is hurt, thank goodness, but teachers, students, and staff must move to a temporary school while your damaged school is repaired. Do you try to simply achieve a sense of normalcy during two years of displacement?
Many principals would. And who would blame them? But Deron Cameron, principal of
University Place Elementary School in Tuscaloosa, AL, saw the calamity caused by the April 2011 twister as an opportunity to do more. Armed with grants and donations from around the country, Cameron was determined to not only bring back some of the students his school had lost when the school moved, but to turn the misfortune into an advantage. "We met last year as a faculty and said, 'When we go back into our building, we don't want to do the same-old-same-old. We need to research some practices so it can be a win-win for our students,'" Cameron says.
After investigating a handful of educational approaches that ranged from Montessori to STEM, Cameron and his faculty settled on STEAM, a curriculum based on science, technology, engineering, and mathematics--plus the arts. "We liked the arts in STEAM," Cameron says. "Our students have great creativity. We saw that the creativity of STEAM would add another facet."
Other schools are taking up the STEAM approach, even without the hardship of displacement and rebuilding. They come to STEAM because they believe the arts are important, or because they want to reach all of their students, not just the ones who thrive on straight academics.
Jeremy Ferrara, who teaches fourth grade at
Taylor Elementary School in Arlington, VA, says that his "aha moment" came one Saturday a couple of years ago, when he watched a student from his class creating scenery for a school musical. "This kid wasn't very strong academically," Ferrara says. "I watched him working on the set for two hours, while he measured the cardboard and lined up the pieces. I didn't talk to him, I just watched. He was completely into it. And in the end, everything came out perfectly symmetrical. It just opened my eyes to the fact that I wasn't reaching this kid the right way."